Guy A. Wilson
The Garden Gate, 2004

Bronze Sculpture

Location: Beverly Blvd. and Workman Mill Rd, Lou Henry Hoover Park

Inspired by the women of Whittier, “The Garden Gate” sculpture, created by Guy A. Wilson, is located at Lou Henry Hoover Park, 10839 Beverly Boulevard, at the corner of Beverly and Norwalk Boulevards. The two sides of the gate represent two well-known Whittier women, done in bas relief, approximately seven feet in height, slightly larger than life size.

The left door of the gate portrays Harriet Strong and her four children among pampas grass. The right gate door depicts Florence Maple Thomburgh from behind a stand of hollyhocks. A free-standing sculpture of a young girl stands in the opening between the two gates, gazing up at the women, and inviting viewers to enter and read the histories of the women of Whittier. Depending on the viewer’s point of view, the young girl sculpture can either represent the young Lou Henry Hoover or a modern child gaining inspiration from the many accomplishments of the women of Whittier.

The gate is 9 feet high, 3 to 4 inches thick and the entire sculpture is approximately 6 feet wide. “The Garden Gate” was the first City-commissioned public artwork funded through the Art in Public Places ordinance, and was dedicated on October 9, 2004.

Lyman Whitaker
Wind Sculptures, 2009

Kinetic Bronze Sculptures

Greenway Trail, Whittier Blvd. and Pickering Ave.

“The Wind Sculptures" undulating movements reflect the mood of the wind and generate joy. In groupings large or small, the sculptures dance to the rhythms of nature. The works can be viewed from any angle, creating various patterns. The kinetic shapes are bold and distinctive.

The fourth of the City-commissioner public artworks, “The Wind Sculptures" were dedicated on January 15, 2009, and were designed by artist Lyman Whitaker.

With the ever-changing nature of the wind, the sculptures move and interact with one another when placed in a grouping. Some are spirited and dynamic while others are slow and elegant, but they never move too fast. The stylized floral pieces swirl in mesmerizing circles to catch the eye and lift the spirit. Varying shapes and forms unveil themselves as one moves by or through the sculptures. A casual glance at the sculptures will reveal a new form not previously noticed or predict what the weather has in store for the day.

“The Wind Sculptures” are placed along the Whittier Greenway Trail at three locations: the Palm Park Trailhead, the railroad crossing at Five Points and the Mills/Lambert Trailhead. As the years pass, the copper and stainless steel sculptures will develop an organic patina, making them even more part of the natural environment of the Greenway Trail.

“The Wind Sculptures" have both organic and mystical themes, symbolizing a move toward better solutions in our relationship with the environment.

Nancy Mooslin
Desert Melodies, 2009

Aluminum, Acrylic Paint

Palm Park Aquatics Center

"Desert Melodies" is a captivating sculpture with a remarkable journey. Originally conceived for the "El Paseo Invitational" outdoor exhibition in Palm Desert, CA, it graced the public eye from 2010 through 2012. Subsequently, it found a new home within the City of Pasadena's Rotating Public Art Program, where it remained from 2013 through 2017.

In February 2018, artist Nancy Mooslin approached the Parks, Recreation, and Community Services Department with an enticing proposition. Inspired by her previous creation, "Community Spirit," which adorns the Community Center, Mooslin saw Whittier as the perfect permanent residence for "Desert Melodies."

The shapes and forms of "Desert Melodies" draw inspiration from the native plant life of the Los Angeles basin and desert. The linear patterns within the sculpture echo the graceful curves produced by a string from a musical instrument when bowed or struck. Mathematically divided into halves, thirds, and fifths, these lines form the overtones of the notes produced. Furthermore, the colors within the sculpture are carefully chosen to represent a chord, according to Mooslin's unique system of relating color and musical pitch.

Created in 2010 and estimated at a value of $20,000, "Desert Melodies" is crafted from aluminum and painted with high-quality outdoor acrylic paint. Its dimensions are 5 feet by 5 feet by 12 feet. This beautiful piece found its permanent home in Whittier and was dedicated on September 6, 2018.

"Desert Melodies" is not just a sculpture but a harmonious intersection of art, nature, and music, poised to captivate and inspire those who encounter it.

Sandy Scott
Red Rascal, 2002

Bronze Sculpture

Greenleaf Ave., pedestrian walkway north of the Cellar Bottle Shop, between Bailey St. and Hadley St.

“Red Rascal,” a representational sculpture by artist Sandy Scott, the small reddish bronze sculpture pays tribute to the foxes in the Whittier Hills.

While Scott’s artworks are known for their surfaces reminiscent of 19th European sculptors, she also captures the canny and shrewd nature of this ever astute animal. Scott has also portrayed the fox’s most recognizable trait: its bushy tail, as well as its wary expression as the fox looks over its shoulder as it continues its hunt in this urban setting – a midnight foray into the heart of Uptown.

The museum quality bronze fox in a coppery red shade measures 23” high x 28” wide x 20” deep. It is mounted on a natural-style piece of buff sandstone, and is placed near the greenery at this galleria – a convenient hiding place should the situation warrant.

Kevin Box
The Dress, 2010

Mixed Metals, Paint

Greenleaf Ave., located near Mimo's Cafe

“The Dress,” is one of two sculptures by Box. Originally inspired by the Nike of Samothrace in the Louvre, the elegant sculpture is also reminiscent of the timeless style of fashion icon Audrey Hepburn – a sleek flow of red oxide highlighted in honey bronze – remember the movie?

“The Dress” stands approximately 5 feet tall on its buff sandstone base. “The Dress” also has a faintly origami feel, as if it were created out of crumpled and folded paper, instead of museum quality bronze.

Box has created several dress sculptures, and this piece is dramatically different from “From the Tree,” the other Uptown sculpture by his hand.

Whether the end result of an artwork bears a resemblance to paper, a delicate leaf or fabric, he is able to capture the fragile nature of their aesthetic in the very un-fragile medium of bronze.

Kevin Box 
From the Tree, 2009

Bronze Sculpture, Sandstone Base

Greenleaf Ave., parkway space near the Uptown Parking Structure

A green leaf on Greenleaf Avenue, a subtle pun for all to enjoy, “From the Tree,” a six-foot by six-foot green patinated leaf highlights this greenspace area, adding color and visual interest to the swath of low-growing grass adjacent to the Multi-Deck.

“From the Tree” depicts a grand, oversized leaf in the shape of a sycamore or maple leaf. While the leaf is large and substantial, it also captures the delicate quality of a leaf blown in by the wind – but on a “super-size” scale. One of two artworks by Box selected for the Galleria Display, “From the Tree” is part of the artist’s collection dedicated to nature, using a grand oversize scale to highlight shape and detail.

The sculpted leaf, made of museum quality bronze, is patinated in green and green-gold tones, like those of leaf fallen from a tree and picked up by a gust of wind. It is mounted on a Dakota sandstone two-piece pedestal, to continue the natural, wind-blown effect.

Wayne Salge
Crab Louie, 2011

Bronze Sculpture, Buff Sandstone

Location: Greenleaf Ave., pedestrian walkway near Whittier Village Cinemas

"Crab Louis" by sculptor Wayne Salge is located on the walkway north of the Whittier Villiage Cinema on the eastside of Greenleaf Avenue.

Whimsical, humorous and appealing to children of all ages, “Crab Louis” by artist Wayne Salge is placed at child’s eye level in the galleria by the Whittier Village Cinema.

The robotically-styled crab calls to mind the magical world of play and movies as the shy little creature peers through his claws, looking to make some new friends – which he will undoubtedly find the moment a child sees him.

The delightful, science-fiction styled “Crab Louis” is cast in museum quality bronze, patinated in a subtle blue-grey tone, which adds to the other-worldly effect. Measuring 26” high x 18” wide x 18” deep, this sculpture is mounted on a large piece of buff sandstone, giving the appearance of a happy crab surveying his tidepool, and awaiting visitors to come admire him.

Salge’s unique abstract style utilizes lines, shapes and textures to reveal body movement, gesture and stillness. The result is magical as well as whimsical.

Alanna Roth
Stronger Together, 2019

Painted Bronze

Location: 7733 Greenleaf Ave., Los Angeles County Fire Department Station 28

Nestled proudly on Greenleaf Avenue, just outside the Los Angeles County Fire Department Fire Station 28 in Whittier, the "Stronger Together: Firefighter Tribute" is a poignant bronze sculpture dedicated to the brave firefighters who serve our community. 

This masterfully crafted work of art showcases two fully equipped firefighters, adorned in their helmets and protective gear, ready for action. What truly sets this sculpture apart is the intricate and tactile detailing of their vests. The textures and details evoke a sense of authenticity and honor the dedication of these heroes.

Their stance is an embodiment of unwavering strength and resilience, standing resolute in the face of adversity. The centerpiece of the sculpture is a taut firehose, held between the two figures. The firefighter at the nozzle grasps it firmly with both hands, a symbol of their determination to conquer the unseen forces of fire and disaster. The second firefighter stands steadfastly behind, offering unwavering support with a reassuring hand on their companion's shoulder.

The title "Stronger Together" encapsulates the essence of this masterpiece. These two figures personify unity, camaraderie, and the unwavering commitment to getting the job done. It's a tribute to the heroic firefighters who exemplify the principle that together, they are indeed stronger.

The painted bronze finish gives the sculpture an impression of longevity and weight, reminding us of the enduring legacy of the brave men and women who protect our community.

"Stronger Together: Firefighter Tribute" is not only a stunning work of art but a symbol of gratitude for the dedication and bravery of the firefighters of Whittier.

Solar Tree
Artist Team Calderon/Delgado

Travertine, Onyx, and Tile

Location: 12206 Philadelphia Street at the Whittier Dog Park and Greenway Trail entrance.

The narrative behind "Solar Tree," created by the artist team Calderon & Delgado, encourages viewers to harmonize with nature as they witness the stone absorbing the sun's rays.

"Solar Tree" is a multi-piece stone sculpture adorned with fired ceramic tile elements. It comprises a central 12-foot-high sculpture, primarily consisting of a raw 8-foot basalt column topped by a hand-carved solar burst, which emerges from a 4-foot translucent travertine onyx. The onyx component is meticulously carved from both faces to form a concave lens, thin enough to allow sunlight to penetrate the stone's core, evoking a sense of nature's life-giving power.

Surrounding the central element, you'll find three additional basalt stones of various heights, ranging from 2 to 5 feet, with a diameter of 2 feet. These stones are meticulously hand-carved and adorned with glazed ceramic tiles, featuring an array of abstract and ancient combinations of fauna and flora images intertwined with profiles. Each tile element measures 12 square inches and is carefully interspersed among the basalt boulders encircling the central and largest element.

To ensure stability, the central and largest stone composition is firmly anchored to a 3-foot by 3-foot by 3-foot steel-reinforced concrete foundation, securely buried below the ground. A 3-inch diameter stainless steel pin is employed to fasten the sculpture to the concrete foundation, with 18 inches inserted into the stone and 18 inches into the concrete. The top onyx element is likewise anchored into the basalt column using a 2.5-inch diameter stainless steel pin.

All materials used in this artwork have been thoughtfully selected for their durability and resistance to various weather conditions, ensuring both low-maintenance and longevity.

Michael Warrick
Mockingbird Tree with Oranges, 2020

Stainless Steel and Gold Leaf

Location: 7216 Autumn Ave., The Commons at The Groves

"Mockingbird Tree with Oranges" by Michael Warrick and the National Sculptors' Guild graces the entrance to The Commons nestled in the residential development The Groves in Whittier.

This stunning 18-foot stainless steel stylized tree sculpture is adorned with a half dozen golden-leafed oranges and a single mockingbird.

The sculpture is positioned as a crucial element of The Grove's landscape and hardscaping, enhancing the beauty of this vibrant new community. The shining tree with its golden mockingbird guest greets visitors as they approach The Commons building, a focal point at the heart of the community. 

Sean So
Water Sculpture, 2009

Absolute Black Granite

Location: PIH Health entrance at Putnam St.

Installed in 2009, “The Water Sculpture” welcomes guests to the new Presbyterian Medical Office building with an alluring display of water, movement and light. Located at the new PIH entrance on Putnam Street, the multi-level water sculpture measures 20 feet wide by 7 feet tall and was part of the PIH expansion project.

The granite water sculpture emulates the Earth’s water sources through the simulation of rain, rivers and oceans. From the top-tier stone block, a mound of water rises from the center, symbolizing the life-giving source of water, and falls down the curved front side of the textured stone in small rain-like rivulets into a serene reflecting pool, representing the rain that falls on Earth.

Upon reaching the pool’s edge, water continues to fall in wider rivulets from the second-tier pool into a shallow river rock-covered pool. The wider rivulets, representing various streams and rivers formed by the rainfall, create a tranquil, resonating sound to those around. Water finally falls in overlapping sheets from the third tier into the bottom pool, representing the oceans and lakes created by the streams and rivers above, which is covered with small river rocks. The smaller size of the rocks also illustrates Earth’s natural formation of river rocks and pebbles from larger stones and boulders.

At nightfall, a series of underwater lights illuminate the three tiers of “The Water Sculpture” and highlights the sculpture’s various water textures, movements and forms. The combination of these features emphasizes the ever-changing forms and circular cycle of the Earth’s water sources.

Katie Steffler
The Arch, 1998

Wood, Cinder Block, Stucco, Tile, Paint

Northwest corner of Whittier Blvd. and Greenleaf Ave.

“The Arch,” a tile mural on the northeast corner of Whittier Boulevard and Greenleaf Avenue, is a four-columned, tile-roofed structure, with hand-painted tiles depicting various events and features of Whittier and its history. This artwork was installed in 1998, when the Albertson’s Market on the site was opened.

“The Arch” presents an interesting contrast of style, with the substantial arch structure design by Katie Steffler and the finely-detailed tiles painted by Dianna Schramm.

Although they show separate scenes, the tiles in “The Arch” give the appearance of a mural above the arches of the structure. Some of the features painted on the tiles include Whittier’s former orange groves, a horse-drawn produce delivery wagon, an old-fashioned home milk delivery truck, an El Camino Real bell, Whittier City Hall and other familiar and beloved landmarks, both old and new, providing a capsule history of the City.

Nancy Mooslin
Community Spirit, 2008

Aluminum, Stainless Steel, Acrylic Paint

Whittier Community Center, 7630 Washington Ave.

"Community Spirit" is a remarkable relief-style sculpture that graces both the north and west walls of the Whittier Community Center. This large-scale masterpiece spans approximately 40 linear feet on the north wall and 34 linear feet on the west wall, with a height ranging from eight feet to five feet. The sculpture's elements extend outward from the wall, reaching as far as two feet at their deepest points. Crafted from painted aluminum and stainless steel, "Community Spirit" is securely bolted directly to the concrete block wall.

This artwork was meticulously designed to serve as a prominent and enduring landmark, making a bold statement for both motorists and visitors to nearby city buildings and businesses. It also captivates those entering the Community Center with its intricate details, symbolic imagery, and the interplay of light and color.

The overarching theme of "Community Spirit" embodies vitality, rhythm, perpetual motion, and growth. The sculpture's shapes draw inspiration from various natural geometries, with many measurements based on the golden mean and the golden spiral—proportions commonly found in nature's constant growth and movement, such as in plant life, shells, and weather patterns. There are references to waves of light, water, or air, as well as to human pursuits like music, dance, and athletics.

This piece also finds its inspiration in the works of poet John Greenleaf Whittier. While Whittier's poetry is predominantly religious in nature, "Community Spirit" seeks to express the universal themes present in his work—themes characterized by hope, light, and a profound love for life and the world. The sculpture embodies a lighthearted spirit, adorned with vibrant colors and reflected light, symbolizing the uplifting impact of inspiring ideas. It aims to convey the collective spirit of people working and playing together.

To ensure longevity and ease of maintenance, "Community Spirit" is painted with lightfast, top-quality Nova Artist Acrylic paint, making repainting a straightforward process when needed. The chosen colors replicate the richness and vibrancy of the natural world, including the blues, greens, yellows, golds, and bronzes of the trees, grass, and sky surrounding the Community Center. Many of the colors are rich metallics that shimmer and reflect light, further enhancing the sculpture's visual appeal.

"Community Spirit" is more than a work of art; it is a reflection of the community's shared spirit and the boundless potential that blooms when people come together.

Tita Hupp
The Barefoot Boy, 1998
Rededicated June, 2014

Bronze Sculpture

Location: Whittier Public Library, 7344 Washington Ave.

"The Barefoot Boy," a life-size bronze sculpture created by artist Tita Hupp, pays tribute to the poem of the same name by Quaker poet John Greenleaf Whittier. Originally unveiled during Whittier's Centennial celebration, the statue graced the western side of City Hall. However, it spent four years in storage during the construction of the new Police Station and Civic Center improvements. With these projects completed, "The Barefoot Boy" has found a new home adjacent to the main entrance of the Whittier Central Library.

This enchanting sculpture retains all its original features, including a pond, the rock on which it rests, two bronze squirrels, a bag of nuts, a bronze frog in the pond, a hat, and a book displaying the opening stanza of "The Barefoot Boy" poem.

As part of Whittier's Centennial Celebration in 1987, the Barefoot Boy Statue project emerged as a tribute to the lyrical talents of John Greenleaf Whittier. It was a collective effort, with the goal of leaving a lasting legacy for the city. Tita Hupp was commissioned to bring the statue to life through fundraising and community donations. The sculpture was intended to be placed in a natural setting, complete with suitable trees, shrubs, and rocks.

"The Barefoot Boy" not only celebrates the timeless words of Whittier but also embodies the spirit of community collaboration, bringing the poet's words to life in a new era.

Alanna Roth
The Final Salute, 2011

Bronze and Granite

Location: Whittier Police Department, 13200 Penn St.

The Final Salute Police Memorial stands as a solemn tribute to our dedicated police force. A commanding bronze statue of a police officer, donned in a Class A uniform, takes a place of honor atop a black granite hexagon. With a raised right hand, the officer offers a heartfelt salute to his fallen comrades, while his left hand gently rests on the shoulder of a child. This child symbolizes not only the next generation but also all the children and relatives who have tragically lost a loved one in the line of duty.

Three of the hexagon panels feature poignant images and narratives of Officers Mike Lane, John Pierce, and Keith Boyar, three Whittier police officers who made the ultimate sacrifice in the line of duty. Their stories serve as a lasting reminder of the bravery and dedication exhibited by all law enforcement officers.

Final Salute Police Memorial is a powerful and evocative representation of the unwavering commitment and sacrifice made by our men and women in uniform, as they stand ready to make the same sacrifice when called upon.

William H. Harrison
Whittier Peace Memorial, 1977

Bronze, Stainless Steel and Concrete

Whittier City Hall, 13230 Penn St.

The Whittier Peace Memorial stands as a poignant tribute, dedicated by the community to honor the brave men who sacrificed their lives during World War I, World War II, Korea, and Vietnam. Three plaques bear the names of 157 men who were lost in these conflicts, with two more commemorating those missing in action in Vietnam. The fourth plaque features the dedication and the Whittier Bicentennial logo.

At the heart of the memorial, a sundial takes center stage, symbolizing the world as a hollow sphere with the equatorial band aligning parallel to the Earth's equator. Anchored in the direction of the North Star, an arrow or gnomon casts a shadow on the equatorial band, indicating the time, and it was thoughtfully designed to accommodate local time adjustments.

Funds for the memorial were raised through individual contributions, the sale of needlepoint kits, and the support of the Bicentennial Committee. This memorial was skillfully designed by architect William H. Harrison and graces the east side of the City Hall lawn at 13230 Penn Street.

In a significant addition, during the City's Veterans' Day observance in 2010, Army 1st Sgt. Blue C. Rowe's name was inscribed on the Wall adjacent to the Peace Memorial. Sgt. Rowe holds the distinction of being the first Whittier resident to receive the Gold Star for his sacrifice in the Afghanistan-Iraq conflict, marking the inaugural name on the Wall. Sgt. Rowe, aged 33, heroically gave his life on May 26, 2009, while on duty in Afghanistan.

The Whittier Peace Memorial embodies the community's enduring respect and remembrance of those who have made the ultimate sacrifice in service to our nation.

Christoph Rittershausen
Whittier Comes to Whittier

Concrete Statue

Location: Central Park, 13212 Park St.

The John Greenleaf Whittier Statue, also known as "Whittier Comes to Whittier" is an enduring tribute to the renowned 19th-century poet and Quaker, John Greenleaf Whittier, for whom the City of Whittier was named. The larger-than-life concrete statue of Whittier was meticulously crafted by Christoph Rittershausen in celebration of Whittier's 100th birthday on May 9th, 1987.

While the city initially hesitated to support the project, Rittershausen's dedication and the backing of several enthusiastic supporters led to its approval. The sculpture portrays Whittier resting in an overstuffed chair, a book in his lap, and a gentle smile on his long, angular face. Rittershausen conducted extensive research into Whittier's life, studied photographs, and delved into the poet's original works, housed in a special collection at Whittier College.

Constructed from Styrofoam and later cast in concrete, the seven-foot-tall statue embodies a grass-roots project that embraced the city's rich history. The sculpture was unveiled during a Founder's Day celebration, marking the city's centennial.

This enduring work of art not only introduces the city's namesake to the community but also stands as a testament to the enduring value of public art in Whittier, contributing to the city's cultural landscape.

East Los Streetscapers / Wayne Healy
Welcome Home Vietnam Veterans Memorial Honoring Jose Ramos, 2022

Steel Reinforced Concrete and Ceramic Tile

Location: Central Park, 13212 Park St.

The Jose Ramos Vietnam Veterans Memorial stands as a testament to the tireless dedication of Vietnam Veteran Jose Ramos, an Army combat medic. Mr. Ramos served his country with distinction, earning the Purple Heart and the Bronze Star with Valor during his three-year tenure in the U.S. Military.

Upon his return home in October 1968, Mr. Ramos transitioned to a career in emergency rooms at LA County USC Medical and Martin Luther King Jr. Community hospitals, where he worked until his retirement in 1999.

In 1998, Mr. Ramos embarked on a bicycle tour through Vietnam alongside war veterans from both sides of the conflict. Recognizing the need to support Vietnam Veterans, he organized a remarkable bicycle ride from Whittier to Washington D.C. in 2000. His goal was to petition then President George W. Bush to declare March 30th a holiday in honor of Vietnam Veterans.

Mr. Ramos' extraordinary efforts, determination, and unwavering commitment led to the California state legislature's recognition of Welcome Home Vietnam Veterans Day in 2004, signed into law by Governor Arnold Schwarzenegger in 2009, with Mr. Ramos by his side.

Mr. Ramos passed away in September 2017, but his legacy lives on. Prior to his passing, he envisioned that his bicycle would serve as a lasting memorial to continue his mission of recognizing Vietnam Veterans. His wife, Sylvia Ramos, has also endorsed this idea.

The memorial consists of a 10' x 4' monument wall crafted from steel-reinforced concrete. Adorning this wall is a ceramic tile wrap-around mural frieze, comprising forty-four 12"x12" tiles. The tiles are vividly glazed with a colorful depiction of Mr. Ramos' relentless efforts to secure recognition for his fellow Vietnam veterans. Renderings of Mr. Ramos' bicycle also grace both sides of the wall.

The Jose Ramos Vietnam Veterans Memorial is a tribute to a man who dedicated his life to advocating for Vietnam Veterans and ensuring that their sacrifices are never forgotten.

Gordon Gund
Flukes, 2015

Bronze Statue with Granite Base

Location: Whittier College Campus, 13406 Philadelphia St.

"Flukes" is a remarkable bronze sculpture by artist Gordon Gund, proudly featured on the grounds of Whittier College since its installation in early 2015. This captivating artwork was generously donated by Gund, adding to Whittier's esteemed Art in Public Places collection.

The sculpture "Flukes" pays tribute to the powerful flukes of a whale as it breaches the ocean's surface. Measuring 72 inches in height, 77 inches in width, and 30 inches in depth, this awe-inspiring sculpture is placed atop a 36-inch by 12-inch granite disk on the College lawn.

Gordon Gund's inspiration for "Flukes" stems from a poignant encounter with pilot whales on Nantucket Island. During this encounter, a group of whales came ashore, providing Gund with the unique opportunity to touch the tail of one of these magnificent creatures. This encounter held special significance for Gund, who lost his sight in 1970 due to retinitis pigmentosa.

Gund's unique ability to translate his tactile experiences into bronze is nothing short of exceptional. Though he cannot see the shapes, he feels them with his hands and envisions them in his mind. "Flukes" stands as a testament to Gund's remarkable talent in capturing the power, massiveness, musculature, and the dynamic energy of whales as they gracefully navigate the waters off Nantucket.

Beyond its artistic significance, "Flukes" serves as a profound testament to the indomitable human spirit and the innate desire to create beauty. It is both a triumph of artistic expression and an inspiration for all who encounter it.

Jill Casty
Welcome Friends, 1996
Rededicated November, 2011

Stainless Steel and Acrylic Paint

Located: Southeast corner of Painter Ave. and Whittier Blvd.

"Welcome Friends" stands as Whittier's inaugural public artwork, a testament to the city's cultural landscape. Created by artist Jill Casty and dedicated on June 14, 1996, this iconic sculpture graces the southeast corner of Whittier Boulevard and Painter Avenue, warmly welcoming all who pass by.

Measuring an impressive 18 feet in height, "Welcome Friends" is a multi-colored steel sculpture that brilliantly captures the essence of Whittier's vibrant spirit. Its large yet airy form symbolizes the sun rising over the picturesque Whittier Hills. The sculpture's intricate and stylized leaves, suspended from graceful green steel branches, pay tribute to the city's rich tapestry of trees. Even the title of the piece, "Welcome Friends," reflects Whittier's Quaker heritage.

Artist Jill Casty expressed her vision for the sculpture as a gateway to the city, embodying joy, the pleasures of life, and the promise of a bright future. In crafting "Welcome Friends," Casty drew inspiration from the city's own flag, which features a rainbow "W." This inspired her to infuse the sculpture with a vibrant color scheme, mirroring the flag's joyful hues.

Over time, as tastes evolved, the 15-year-old sculpture began to lose some of its luster. In the late 2000s, the Quad at Whittier embarked on a renovation project, including refreshing the shopping center's color palette. The City, in collaboration with the Art in Public Places Committee and artist Jill Casty, engaged in an effort to revitalize "Welcome Friends." This initiative aimed to update the sculpture's colors to harmonize with the renovated shopping center while restoring its original brilliance.

After several months of collaboration between Terramar, the Quad's owner and operator, the City, the Art in Public Places Committee, and artist Casty, a fresh, vibrant "Welcome Friends" was proudly re-dedicated at the Quad on November 15, 2011.

Once again, the sun rises over the Whittier Hills in a radiant blaze of glory, epitomizing the enduring spirit and welcoming nature of the Whittier community.

Jane DeDecker
Freedom, 2021

Bronze Sculpture

Location: York Field, 9110 Santa Fe Springs Rd.

"Freedom" is a lively and engaging artwork that captures the essence of a healthy lifestyle, community togetherness, and the joys of connecting with nature. This existing 1.25 life-size composition was thoughtfully modified to create a site-specific placement within the York Field Sports Complex.

The sculpture portrays a dynamic scene featuring children and a playful dog. In this delightful scenario, five exuberant children enthusiastically pursue a Retriever who has mischievously seized one of the kids' mitts. Their race is likely to a game or practice, and their attire includes baseball caps and uniforms, with one child even clutching a baseball bat. The clever positioning of this artwork amidst the existing trees in the planter perfectly complements the carefree spirit of these running children.

"Freedom" encapsulates the spirit of America's favorite pastime, emphasizing the values of camaraderie, good sportsmanship, and the simple pleasures of feeling the sun on your face and the wind in your hair as you round the bases on a baseball diamond. This design harmonizes with the surrounding setting and activities of the site, promoting positive interaction, and holding universal appeal for multiple generations.

The bronze sculptures in "Freedom" come in various heights, ranging from 2.5 feet to 4.5 feet, with each statue measuring approximately three feet in width. They are thoughtfully spaced out amidst the trees within the 42-foot-long planter, creating a delightful and harmonious display.

Art Mortimer
The History Lesson

Painted Mural on Stucco

Location: Northeast corner of La Serna Dr. and Whittier Blvd.

This captivating trompe l'oeil mural graces the corner of the Amazon Fresh Building, nestled at the junction of Whittier Boulevard, a main street, and a side street in Whittier, CA. This mural is a significant addition to a new shopping center, purposefully designed to host this stunning artwork.

The mural brilliantly showcases an archway, leading to an idyllic landscape that pays homage to Whittier's vibrant history. Whittier's origins can be traced back to a Spanish land grant, and the mural beautifully illustrates this by featuring two Spanish Californios, a dancer and a guitar player, representing that era. The central focal point of the mural portrays the large hacienda constructed by Pio Pico, the last governor of Alta California, on the land that now comprises Whittier.

In 1887, Whittier's destiny took a new turn when it was acquired by a group of Quakers. The mural thoughtfully includes a Quaker figure seated to the side, taking in the view. As the mural unfolds, it traces the city's transformation into a flourishing agricultural community, with orange trees, abundant crops, and orchards painting the distant landscape. A charming townscape from the 1930s represents a bygone era.

Crucially, the arrival of the railroad acted as a catalyst for Whittier's growth, connecting the city to the rest of the nation and propelling it to its present stature.

Positioned within the archway are a mother and her daughter, both looking out at the mural's historical tableau. Their gesture invites viewers to join them in appreciating Whittier's rich and storied history, mirroring the connection between history and artistry. As viewers peer at the mural, they, too, are transported back in time, experiencing Whittier's fascinating journey and the tapestry of its history.

Gale McCall
Tall Grass, 2006

Stainless Steel

Whittwood Town Center, between Sears and Kohl's

"Tall Grass," a captivating public art piece situated within the Whittwood Town Center, was dedicated on November 16, 2006. This unique artwork found its home adjacent to Sears as part of the Whittwood Town Center's mid-2000s renovation.

Crafted by the talented artist Gale McCall, "Tall Grass" exudes a profound sense of place, seamlessly weaving the local history and the architectural essence of the refurbished shopping center into a vibrant tapestry. With a primary aim to engage and enhance the area for visitors, employees, and the community at large, "Tall Grass" is a testimony to the power of art to transform spaces.

This remarkable piece takes form in the shape of tall, stainless steel grasses that stand proudly between eight and ten feet in height, organized into sections of 15 feet. Amidst the sinuous blades, ethereal images seem to float, rendered as quarter-inch painted plate cutouts. These images may represent items we shop for, elements from the past or future, or the very dreams we hold dear.

Evoking memories of the sprawling grass fields that once defined the town's landscape, "Tall Grass" forms a poignant link between the town's history and the contemporary spaces we enjoy today.

The amalgamation of these elements exudes a tranquil elegance and spatial rhythm, enriching the surrounding amphitheater with an atmosphere of calm and inspiration. Rather than presenting literal representations, the artist has thoughtfully designed "Tall Grass" to serve as gateways of inspiration, encouraging viewers to interpret, discover, and realize their own unique connections to the artwork.

Carol Gold
The Storyteller, 2007

Bronze Sculpture

Location: Whittwood Branch Library, 10537 Santa Gertrudes Ave. 

"The Storyteller," the second commissioned public art piece by the City of Whittier, was dedicated on December 7, 2007, at the Whittwood Branch Library.

Created by the talented artist Carol Gold, "The Storyteller" beautifully captures the significance of verbal communication and serves as a symbol of the flowing river of knowledge that unites individuals of all ages. It encourages us to embrace the art of sharing our own stories and wisdom with those around us.

The artwork features a female figure gracefully leaning against a short wall. Her hands make expressive gestures, while her open mouth conveys the act of narrating a tale to an unseen audience. The simplicity of "The Storyteller's" sculpting invites viewers to create their own narrative, thereby engaging their imagination.

This 6-foot bronze sculpture is meticulously patinaed in warm tones, with honey gold accentuating the figure's skin and coppery brown defining her clothing. Carol Gold's understated modeling technique reflects her quiet yet contemporary style, characterized by the sleek, flattened figures that vividly convey mood and emotion through straightforward gestures. Remarkably, despite its bronze composition, the sculpture maintains an airy and delicate appearance.

Gold's inspiration for "The Storyteller" stems from her deep love for reading, recognizing that storytelling is an essential part of human existence. She asserts, "Storytelling is necessary. I can't imagine life without stories."

The Whittwood Branch Library was selected as a fitting home for "The Storyteller" due to the wealth of stories it houses and the sculpture's eloquent reminder of the importance of both spoken and written words in our lives.

Inspired by a poem by Pablo Neruda, which states, "No hablar es morir entre los seres" or "Not to speak is to die among human beings," the artist underscores the theme of communication. Knowledge is only valuable when shared, much like a river of information flowing from one generation to the next. Communication, whether through spoken or written word, binds communities together through their stories, both personal and allegorical. "The Storyteller" symbolizes the power of verbal communication and the river of knowledge that connects people of all ages, reminding us to share our stories and wisdom with those around us.

Tom Askman
Rocket Robin, 2010

Aluminum Sculpture

Location: Parnell Park Community Center, 15390 Lambert Rd.

"Rocket Robin," the fifth public art project commissioned by the City of Whittier, took its rightful place in front of the Parnell Park Zoo on January 21, 2010, providing a whimsical and welcoming greeting to visitors.

This multi-layered aluminum structure, measuring 20 feet in length and 12 feet in height, is designed to celebrate the cherished harbinger of Spring, the robin. However, it adds a delightful retro science fiction twist through its construction, reminiscent of the iconic Airstream Travel Trailers that evoke memories of Spring vacations from years past. This shiny metal piece of whimsy was thoughtfully selected for the entrance to the Parnell Park Zoo, joining a diverse cast of beloved barnyard animals.

"Rocket Robin" is an attention-grabber. The robin itself gazes back at onlookers with bright eyes, all the while searching for its matching aluminum worms for a quick snack. The sculpture is designed to inspire happiness and fond memories of Springs gone by, offering an eye-catching, smile-inducing presence to all who encounter it.

This 16-foot-long aluminum robin sculpture acknowledges the role of robins as an integral part of the visual and environmental world of parks. These "harbingers of spring" journey thousands of miles annually to uplift our spirits. With its multi-layered structure, the sculpture weaves together elements of nature, humor, nostalgia, and technology, all while being easily approachable. Solar-paneled LED lights enhance its allure.

Positioned at an angle for the best view from Lambert Road, the sculpture is thoughtfully placed amidst ample greenery between sidewalks, creating a unique contrast between the aluminum construction and the surrounding grass. The robin's posture, poised as if to pluck an aluminum worm from the ground, adds to its charm and approachability.